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View Full Alban skenderaj me prit atje youtube er The northern and southern traditions are contrasted by the "rugged and heroic" tone of the north and the "relaxed, gentle and exceptionally beautiful" form of the south. These disparate styles are unified by "the intensity that both performers and listeners give to their music as a medium for patriotic expression and as a vehicle carrying the narrative of oral history".
Albanian folk songs can be divided into major groups, the heroic epics of the north, and the sweetly melodic lullabies, love songs, wedding music, work songs and other kinds of song. The music of various festivals and holidays is also an important part of Albanian folk song.
Lullabies and laments are very important kinds of Albanian folk song, and are generally performed by solo women. Many of these are about Skanderbeg, a legendary 15th century warrior who led the struggle against the Turks, and the "constant Albanian themes of honour, hospitality, treachery and revenge".
These traditions are a form of oral history for the Ghegs, and also "preserve and inculcate moral codes and social values". Major epics include Mujo and Halil and Halil and Hajrije. The most traditional variety of epic poetry is the Albanian De gta vice city para pc rip of the Frontier Warriors.
These epic poems are sung, accompanied by a lahuta, a one-stringed fiddle. Though men are the traditional performers exception made for the sworn virginswomen have increasingly been taking part in epic balladry. This shepherds' music is "melancholic and contemplative" in tone. The songs called maje-krahi are another important part of North Albanian folk song; these were originally used by mountaineers to communicate over wide distances, but are now seen as songs.
Maje-krahi songs require the full range of the voice and are full of "melismatic nuances and falsetto cries". Author Kim Burton has described the melodies as "decorated with falsetto and vibrato, sometimes interrupted by wild and mournful cries". This polyphonic vocal music is full of power that "stems from the tension between the immense emotional weight it carries, rooted in centuries of pride, poverty and oppression, and the strictly formal, almost ritualistic alban skenderaj me prit atje youtube er of its structure".
South Albania is also known for funeral laments with a chorus and one to two soloists with overlapping, mournful voices. The Tosk people are known for ensembles consisting of violins, clarinets and def. The kaba is an improvised and melancholic style with melodies that Kim Burton describes as "both fresh and ancient", "ornamented with swoops, glides and growls of an almost vocal quality", exemplifying the "combination of passion with restraint that is the hallmark of Albanian culture.
Rapsodi are poetry mainly about homeland,war and famous warriors. They are always accompanied with instruments such as Ciftelia or Sharkia. In a special way, they are patriotic songs which are dedicated to brave warriors,continuous wars against the Turkish and Serbia. Rapsodi is also known for its charismatic interpretation, for the old traditional Kosovo away from every oriental element that represents, for the clear pronunciation of the word, for his distinctive vocals, gestures, and acting in singing as well.
Their topics were very actual because they always tell a homeland story by singing. Their songs are mostly folklore with different social topics which are followed by generations. These songs are accompanied with many instruments.
The musicians are also part of sofra. Sofrat, organized into traditional orders represent a precious treasure of cultural heritage in Kosovo. Lots of traditional artists have become famous from alban skenderaj me prit atje youtube er interpretations in Sofra.
Depending from the rhythm, sofra songs can be accompanied with various traditional dances. Most popular sofras are Sofra Pejane,Sofra Gjakovare etc. Nowadays, sofra continues to be very popular and present almost in every wedding. It happens to be organized also as a part of cultural program in some cities. They're separated on two parts. The first part are Songs for the bride before she gets married. They're usually accompanied with Def - a traditional instrument and are similar to poetry.
Most of those songs are original creations that are a moment dedication for that person getting married. The second part are songs for the couple. They are accompanied with lots of instruments and have interesting topics. Some of them express congratulations for the couple, characteristics of living together etc. Wedding Songs usually goes together with specific traditional dance, therefore they are interesting and important because represents also lots of general Kosovar tradition information.
They represent an original and very emotional creations alban skenderaj me prit atje youtube er are dedicated to a close and beloved person after their death. It is specific because its an art born from the suffer.
This genre is almost the oldest. It has many variations and it is very popular because it has to do with a special condition that people confront in their daily life. Dirge can be created from one or more persons. The most difficult and rarest variation is The polyphonic Dirge because it needs four participants to be in a harmony. The most usual artistic and literary figures that are used are comparison and personification.
They're too lyrical. Lullabies are the finest representative about expressing parental love and the irreplaceable role of family in Kosovo tradition. This is a two-stringed instrument in which one string is used for the drone and one for the melody.
It's wooden instrument with a small head and a long tail. It is used in a style of dance and pastoral songs, mostly on Kosovo and it is known as a Gheg Instrument. Together with Sharkia it represent a strong traditional instrument and are characteristics of rapsodian genre. There are also some other kinds of sharkia, one of them is with 12 wires. Often this instrument is accompanied with a good part of lyrical and epic songs, as well alban skenderaj me prit atje youtube er various popular traditional dance.
Sharkia is known as complex instrument, is used alone or in orchestral formations as the main tool. The most characteristic thing about sharkia, is that the play focuses primarily on the first wire, two others run iso. In entrances and ends of phrases is included the third wire, which gives basic tone. This creates a special effects, which are characteristic of this instrument.
Lahuta often is decorated with symbols of ancient cults as the head of the goat, snake, or historical figures. On one side there are big differences between the dances from the Gheg people in the north and Tosk people in the south, on the other side we have the influences of the neighboring countries and the influences from foreign invaders alban skenderaj me prit atje youtube er the past.
In general the folk dances might be divided into two groups: The city dances from Tirana, Ossi s eleven google, Berat and other alban skenderaj me prit atje youtube er are very different in character and style than those of the rural areas around those cities.
This is also the case with the folk music. The urban style developed differently from the rural regions, which expressed itself in different costumes, music, songs and dances. This urban style had its reflections on neighboring villages also, but not an overall influence to the country side.
As for the rural folk dances we might alban skenderaj me prit atje youtube er them in dances from the North, the South and the Middle kadhal kavithai tamil movie video songs Albania, but no strict borders between these regions. These areas have their specific style and character of song under my umbrella dances which cannot be classified in the general division and do not match with the overall common folk dances within the region.
The North, being Gheg country, is rather clear, the style and character is almost the same in each district, although there are some minor differences. The Middle of Albania is something quite different. Here we find a combination of Gheg and Tosk elements. The ethnic division of Ghegs and Tosks is well illustrated by the difference in dances and costumes, but also in the music accompanying the dances.
The music to the dances of the Ghegs is often accompanied by either zurla and tapan Surle and Lodra in Albaniandef or daire or orchestra with ciftelije, sharkije and flutes. The ciftelije is unique for the northern Albanian music. The central Albanian dances, especially the urban dances are accompanied with orchestras which combine the instrumentation of both northern and southern regions.
The clarinet is often leading here, but might be in the company of a tapan Lodra or def. No need to say that in these days the electric key boards have replaced instruments like the gajda and other traditional instruments. The names of the dances Although the separate dances had their own names and some still have the dances are often named by the region where they come from.
The most common form is Valle, but also Vallja is used. In order to make it clear which dance is mentioned the title of the song to which the dance is executed, or the specific style or gender of the dancers can be added to the name. Iso-Polyphony The traditional Albanian polyphonic music can be divided into two major stylistic groups as performed by the Ghegs of northern Albania and Tosks and Labs living in the southern part of the country.
The term iso is related to the ison of Byzantine church music and refers to the drone, which accompanies the polyphonic singing. The drone is performed in two ways: It can be differentiated between two- three- and four-voice polyphony. Two-voice iso-polyphony represents the simplest form of Albanian polyphony and is popular all over southern Albania. Iso-polyphony is practised mainly alban skenderaj me prit atje youtube er men, but there is a number of female singers, too.
The music is performed at a wide range of social events, such as weddings, funerals, harvest feasts, religious celebrations and festivals such as the well-known Albanian folk festival in Gjirokastra. Albanian iso-polyphony is characterised by songs consisting of three parts: Four-part singing is found less often and only among alban skenderaj me prit atje youtube er Labs.
This form consists also of two solo parts, but is accompanied by a double drone, one choral and one solo. The structure of the solo parts differs according to the different ways of performing the drone, but there is also a great variety of structures within the two drone types, especially in the pedal style that is popular with all groups performing this music. Folk music Kosovo Kosovo Albanians are ethnic Albanians with ancestry or descent in the region. Folk music North Albania http: Folk music Central Albania http: Folk music South Albania http: Folk music Macedonia The Albanian minority lives mostly in the north-western part of the country.
Folk music Montenegro Albanians of Montenegro are Ghegs who mainly live in South-Eastern Montenegro, in the region commonly known as Malesija as well as in the municipality of Ulcinj.